Kevin Van Aelst, contributing photographer for The New York Times Magazine, uses the “common artifacts and scenes from everyday life, which has been restructured, unified, and built in different shapes, patterns and illustrations.”

Open-face OREO cookies shifted to look like a yin yang sign, carefully cut crackers used to display world time clocks, fingerprint is recreated with cheese puffs, the crust cherry pie – and mustard on a ham sandwich. Says Van Aelst, “the images to study the distance between the” big picture “and” small things “in life – the banalities of our everyday lives, and the sublime notions of identity and existence.”

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